Showing posts with label John Boyne. Show all posts
Showing posts with label John Boyne. Show all posts

Friday, 3 June 2016

Stay where you are and then leave by John Boyne

Stay where you are and then leave by John Boyne (Doubleday, 2013)

14 chapters; 247 pages

Subjects: World War One, England, London, hospitals, shell shock, conscientious objectors, junior fiction (Year 5-8)


Synopsis
Alfie Summerfield is five years old, living on an ordinary London street called Damley Road, when the war starts. His father, Georgie, signs up almost straightaway. Four years later, Alfie is nine, the war is still going on and there is no word from his father. His letters have stopped arriving and all Alfie knows is what his mother Margie tells him: that his father is on a secret mission for the Government, and that’s why he can’t write any more.

The community of Damley Road is a close-knit one, and we find out what happens to a number of its other occupants during these four years. One of the most powerful moments is when two men in military uniform knock at the door to (slight spoiler alert here) deliver the news of a soldier’s death. Margie’s emotions skip from shock to horror to outrage as she realises they have the wrong house, and every other woman along the street stands in fear on her doorstep, waiting to see where they go next.  

Money is tight and Alfie decides to help out by skipping school (except on the days when they have history or reading) and working as a shoeshine boy at King’s Cross Station. This is where he finds out where his father actually is, and where he starts to dream up a plan to get him home again.

The Guardian review points out some of the coincidence in the plot, and there are some events that stretch credulity. I found it hard to believe that Alfie could get around the hospital without being detected, or that he could escape so easily when finally spotted. But it is still a story that pulls you along, and John Boyne does an amazing job of telling it from the point of view of a young child – for example, the way that Alfie views anyone aged 21 or over to be unimaginably old. There are some lovely insights into the nature of loyalty and friendship, especially that shown by Georgie’s oldest friend, Joe Patience, who is ostracised by everyone else in the street for being a conscientious objector. And I loved any scene with Mr Asquith in it!

Reviews
The Guardian book review (mentioned above) says "There may be a fairytale feel to this wartime tale of a boy's quest to find his father, yet it's a solid, engaging read." 
The Pretty Books blog also comments on the fact that "it is fascinating to see the world through the eyes of a child." 
Finally, the reviewer in The Book zone for Boys loved the book and says it is "much more than just a story about a victim of shell shock" and which "really brought alive the everyday travails of the people left at home".

About the author
You can read about John Boyne on his website, which has a special page for this book (although this older link is also quite amusing). 

About the illustrator
The chapter titles were hand lettered by Oliver Jeffers

Other books you might like
I can’t think of many similar books to this one. The way John Boyne gets into the head of a five-year-old, then a nine-year-old is hard to replicate. If you haven’t read The boy in the striped pyjamas, you should definitely read that.

NZ connections
Only to say that I heard John Boyne speak a year or so ago and was fascinated by his account of how he wrote The boy in the striped pyjamas in about three days, virtually non-stop. You can read about it here in this transcript of a talk with Dublin Public Libraries

Things I didn’t know
I didn’t know much about shoe shine boys, but now I've found out that the Shoeblack Brigade set boys up as shoeblacks in London in 1850. More than a dozen brigades were formed, each with their own uniform, and the boys often lived in hostels. The Shoeblack Brigades had mostly disappeared by the start of World War One. “Shoe shining continued as a London street trade for many years” but had virtually vanished by the 1960s.
You can see more of Frederick Wilfred's evocative photos of London here

Have you read it?
Have you read this book? Let me know what you think!

Saturday, 16 January 2016

The Great War: stories inspired by objects from the First World War

The Great War: stories inspired by objects from the First World War (Walker Books, 2014)

304 pages, with full page black and white illustrations by Jim Kay; 11 stories by David Almond, John Boyne, Tracy Chevalier, Ursula Dubosarsky, Timothée de Fombelle, Adèle Geras, A.L. Kennedy, Tanya Lee Stone, Michael Morpurgo, Marcus Sedgwick and Sheena Wilkinson.

Subjects: World War One, England, France, short stories (Year 5-8)

Great War: Great War cover

Synopsis
This anthology contains stories by English, American, French, Irish and Australian authors. Each author uses a particular object as the inspiration for a story about the First World War. The objects include items belonging to individual soldiers – a helmet, a writing case, a compass. Some are printed material: sheet music, school magazines, a recruitment poster.  There is a French toy soldier, the nose from a Zeppelin bomb and a Victoria Cross and a Princess Mary gift box. One of my favourite items was a hand-painted war time butter dish.

Some stories are set in the present day (a school history trip to the battlefields), others in the past. A number of them have girls as the main characters. One is a sort of ghost story. One is written as a poem. Many are firmly based in family life. As in all anthologies, some stories work better than others, but all are of a very high standard.

The pages at the end of the book contain biographical information about the contributors and pictures of their chosen objects. From the picture credits, you can work out where most of the objects come from (many are held in the Imperial War Museum), but I would have liked some more information about how the authors chose the object they wrote about. (This article in the Guardian shows some of the objects.)

About the illustrator
Interesting random facts: Jim Kay won the Kate Greenaway Medal in 2012 for his illustrations for A monster calls by Patrick Ness and was chosen by J.K. Rowling to illustrate the full-colour editions of the Harry Potter series. Here they are!

And here he talks about his illustrations for The Great War.

Other books you might like:
War girls is another recent collection of war-related short stories. The curioseum, although not war- related, is another example of using museum objects to spark a story. 

Things I didn’t know
The country you call home by John Boyne describes the fierce debate amongst the Irish about whether they should support England in the First World War, when for years they had been fighting to get England out of Ireland.

The words that struck me most were from A world that has no war in it by David Almond, a story about a long-running neighbourhood feud.  Near the end, the narrator is talking about all the wars that feature on the news every day. “Are we daft?” he asks. “Are we evil? Is it just the way we are? Are we acting out something that started with our ancestors? Is it in our bones and blood? Do we go to war because we’re in love with war? Will we be asking those damn questions till the very end of time?”

The words stayed in my mind because I think a lot about writing books about war for children, and why we do it and what we are trying to say. Surely we want our readers to reflect on the futility of war, but as David Almond says, the wars just keep happening.