The Mozart question by Michael Morpurgo

The Mozart question by Michael Morpurgo, illustrated by Michael Foreman (Walker Books, 2007)

75 pages (but a small size, so quite short); gorgeous watercolour illustrations of Venice and sobering, muted ones of the scenes at the concentration camps

Subjects: World War Two, Jews, concentration camps, music, junior fiction (Year 6-8, but have to be ready to hear about the Holocaust)

Synopsis

I can’t better the synopsis on Michael Morpurgo’s own website:

“When Lesley is sent to Venice to interview world-renowned violinist Paulo Levi on his fiftieth birthday, she cannot believe her luck. She is told that she can ask him anything at all – except the Mozart question. But it is Paulo himself who decides that it is time for the truth to be told. And so follows the story of his parents as Jewish prisoners of war, forced to play Mozart violin concerti for the enemy; how they watched fellow Jews being led off to their deaths and knew that they were playing for their lives.”

In the note at the back, the author talks about how the story grew from “the sight of a small boy in a square… in Venice, sitting one night, in his pyjamas on his tricycle, listening to a busker. He sat totally enthralled by the music that seemed to him, and to me, to be heavenly.”

Reviews:

• Kids reads says “Morpurgo's tale is straightforwardly told, almost fable-like in its simplicity and emotional impact. Its simple language and elegant structure would make The Mozart question an excellent book for parents and teachers to read with children, opening the door to more questions about family history, historic atrocities, and the miraculous powers of music to resist and overcome even the most shocking evils.”

• Love reading 4 kids includes some kids’ reviews as well.

About the author

What more can you say about Michael Morpurgo – he’s just amazing.
This page on his website talks about themes of war in his books. 

About the illustrator

And similarly for Michael Foreman – equally amazing!

This article in the Guardian profiles his 50-year career. 

Other books you might like:

War horse and Private Peaceful, both by Michael Morpurgo,  War game, The general and The amazing tale of Ali Pasha by Michael Foreman

Have you read it?

Have you read this book? Let me know what you think!

I am David by Anne Holm

I am David by Anne Holm, translated from the Danish by L.W. Kingsland (Puffin, 1969; first published in Denmark, 1963)

8 chapters; 153 pages

Subjects: Denmark, Italy, Eastern Europe, concentration camps, Cold War, dogs, fable, intermediate fiction (Year 6-8)

Synopsis

This entry might be a bit of a cheat, but it is included in all sincerity, even if under slightly false pretences. 

I am David made a strong impression on me when I read it as a child. It’s one of the many classic Puffin books discovered and published by their marvellous editor Kaye Webb.

Recently I re-read it in preparation for a workshop I was holding on Writing about war for children, and discovered that what I thought I knew about it was quite wrong. I thought it was a book about a Jewish boy escaping from a concentration camp in World War Two (a bit like The boy in the striped pyjamas, but with a happier ending.) Turns out that’s not true at all.

The clue is on pg 50 (in my edition). Because David has grown up in the camp, he has no idea about geography or anything else in the outside world, and he’s trying to work out which countries are safe. His definition of a safe country is one with a king or queen, and when he asks someone about England, the answer given is that “at the moment there was a queen because the last king had had no sons, only daughters.” So the book must be set after 1953 (when Queen Elizabeth came to the throne) and it’s an Eastern Europe / Cold War / Communism story, not a World War Two story at all.

Or is it? This article points out that David is 12 in the story, so it's possible that he could have been born during World War Two. 

There are some unlikely coincidences in the plot, especially towards the end, but I think this ambiguity is partly why it has stayed in my memory. It is quite a haunting book.

The book cover above is my own copy, but there are a number of other editions with different covers.

    

Reviews:

This review on The bookbag calls David "an introspective, deep child" who "observes constantly and learns quickly and ... has his own, strong sense of what is right and what is wrong." 

Another review on Reading matters comments that “the book is not set in a real time or place. Although the circumstances seem real enough, David's background is a synthesis of all the terrible persecution that happened during the Second World War and the subsequent years of cold war communism. This helps to make David a very powerful and pure figure. I don't think he is particularly real. Anne Holm uses him as a blank canvas on which can be drawn the first experiences of life - beauty, knowledge, trust, religion, love, everything.”

It’s a classic, there are masses of reviews and reading guides online. Don’t get bogged down in them. Just read the book for yourself.

About the author

For such a famous book, I couldn’t find much info on the author.

According to this obituary in the Independent, Anne Lise Elfe was born in Aal, Jutland, on 10 September 1922. She married Johan Holm in 1949 and they had one son. She died on 27 December 1998. 

The writer of the obituary describes the book as "a landmark in bringing to children's attention the existence of a world of political evil and the misery this causes. Some doubted the need for revealing such harsh truths at an early stage, but the thousands of children who read the book often sent letters of thanks to the author. Sometimes they wrote directly to the fictional David as well." 

I found this very interesting as it echoed the issues we were discussing in the workshop, to do with "how much” to tell children about war.

In the book, David himself says, “I am glad I told Maria that evil exists. I don’t want her to be afraid, but it’s something you have to know about. Can’t you understand that children have a right to know everything that’s true?”

Other books you might like:

The silver sword by Ian Serraillier (1956) is also about children wandering through post-war Europe, trying to reach a safe country (in this case, Switzerland), although these children do have each other and aren't as completely alone as David.  

Number the stars by Lois Lowry is set in Denmark (where David is told to head to) in World War Two and celebrates the bravery and compassion of the Danish people. 

Things I didn’t know

That this book which I loved as a child isn't about World War Two at all!

Rose under fire by Elizabeth Wein

Rose under fire by Elizabeth Wein (Hyperion, 2013)

ISBN 978-142318309-9

360 pages

Subjects: World War Two, France, Resistance, pilots, women in war, concentration camps, Ravensbrück, Nuremburg, young adult fiction (Years 10-13)

Synopsis

It’s August, 1944. Rose Moyer Justice, aged 18, from a Pennsylvania Dutch family in the United States, has come to England to work for the British Air Transport Auxiliary. Rose’s family is obviously wealthy and she learnt to fly at the age of 12, so she is quite confident delivering planes to bases all over the country. 

Rose is keen to fly to France as well, and gets permission to do so a few days after Paris has been freed in September 1944 but her return flight goes wrong when she is captured in the air by German planes and made to land at an airfield in Germany. From there, she is taken to Ravensbrück concentration camp where she is registered as a French political prisoner, despite having an American passport.

Rose makes friends at the camp, including Irina, a Russian pilot, and a young Polish girl called Roza, one of the group known as Rabbits who have been used for medical experiments by the Nazis. Everyone is treated badly in the camp, but the women are determined that the story of the brutality meted out to the Rabbits should reach the outside world. Rose, an aspiring poet, comforts them with poems by her favourite writer, Edna St Vincent Millay, and also makes up a poem to remember their names. She doesn’t let on that she has already heard reports about their treatment on the wireless and dismissed them as propaganda.

There is little let-up from the grim scenes at the camp, which take up 200 of the 360 pages. The events and living conditions are not dwelt on gratuitously, but they are still stomach-churning if you stop to think of the implications or to imagine the reality. Readers who only know of the camps from Anne Frank’s diary – which stops, of course, before she arrives there – will find this a very different, and possibly difficult reading experience.

The story of how Rose readjusts to outside life takes up the last section of the book (which is where the Nuremburg Trials come into it.) In some ways, this widens the scope of the book as it relates to how anyone who has been through trauma comes to terms with it.

Reviews:

This review on Gossamer obsessions calls it "definitely a darker, bleaker novel than Verity." The review does raise the point - which I was aware of as I read - that the diary nature of the book works “for and against” it. Rose can’t keep a diary in Ravensbrück (or it would have stretched credibility if she had been able to write one in sufficient detail and smuggle it out  as well) so that portion of the story is written while she is staying in a hotel in Paris after her release. But that means we realise she has escaped to safety, which takes away some of the tension of the events described. The only (slight) tension left is that we know something about her boyfriend, Nick, that she doesn’t yet know. Rose has lost touch with her concentration camp friends, but we expect she will find them again.

The Los Angeles times called the book "a soaring tale of triumph." 

Author’s website

Elizabeth Wein has written books set in Arthurian Britain and sixth century Ethiopia. Code name Verity is about a female pilot who is captured in France; her story is mentioned in Rose under fire, because the character of Maddie connects the two pilots.

There is an interview with Elizabeth Wein here on the girls like giants blog. 

And it’s also interesting to note that she is a pilot herself.

From another interview in the Vancouver Sun:

Q Why did you write this book?

A I think that the dark underbelly of women’s wartime roles is fascinating. My previous novel, Code Name Verity, takes an inside look at the dangerous and dirty work that women did as spies and saboteurs for resistance movements in Nazi occupied Europe. Rose Under Fire more or less continues the story of these women — about a third of those sent into occupied France ended their lives as prisoners in concentration camps. I was particularly fascinated with Ravensbrück because it was a camp specifically for women. It was operated differently from other camps; its history is not well known and is worth knowing.

Other books you might like:

There must be very few books written about women in concentration camps, compared to the large number of books about men in that situation. The books that spring to mind are escape stories, like The great escape, so they are more “heroic” in nature, and perhaps it was simply impossible for women to even try to escape – how would they have survived outside?

NZ connections:

You can read my review of Code name Verity for more details about the Air Transport Auxiliary, including a brief profile of Jane Winstone, one of the few NZers in the ATA.

Things I didn’t know

It’s a side issue, but I didn’t know that the emigrants who settled in Pennsylvania Dutch Country in the USA (incl the Amish) weren’t named because they were Dutch, but because of the dialect of the language they spoke. They came from a number of German-speaking areas in Europe, such as Alsace in France, Switzerland and Germany. This adds an extra layer of irony of the story, in that Rose is being held captive in the land where her family came from.

If you want to, you can read more about the Nuremburg Trial or the Polish Rabbits, but some of this material is confronting.  

Ravensbrück is now a museum. More than 132,000 women and children from twenty-three countries passed through this concentration camp…At least 92,000 of them perished. They were gassed, shot, beaten and starved to death; or they died from sadistic medical experiments or exposure or dis­ease or exhaustion, or just be­cause they gave up trying to survive. 

A low stone wall newly built by the lakeside bears a chiseled inscription in German by the East German writer Anna Seghers. It reads: “The women of Ravensbrück are the mothers and sisters of us all. You would not have been able to learn and play in liberty—indeed you might even not have been born—if women like these had not placed their delicate, weak bodies as a steel shield before you and your future.”

A work team in Ravensbrück

One of those who died Ravensbrück was Violette Szabo, the legendary SOE special agent. There is a poignant story about her training when she was trying to commit a poem to memory (this was a device to help code messages, using words from the poem. ) It was best not to choose well known poems in case the enemy could recognise them, and it was important to get the words and the spelling of the chosen poem exactly right.  Violette kept making mistakes until the SOE codemaster, Leo Marks, gave her a new poem to learn. It was simple but memorable and it worked for Violette. Leo Marks had written the poem himself after the woman he loved had been killed in a plane crash. 

The life that I have
Is all that I have
And the life that I have
Is yours

The love that I have
Of the life that I have
Is yours and yours and yours

A sleep I shall have
A rest I shall have
Yet death will be but a pause

For the peace of my years
In the long green grass
Will be yours and yours
And yours