Showing posts with label deserters. Show all posts
Showing posts with label deserters. Show all posts

Wednesday, 7 October 2015

My brother’s keeper by Tom and Tony Bradman

My brother’s keeper by Tom and Tony Bradman (A & C Black, 2014)

11 chapters; 111 pages including a few pages of historical notes

Subjects: World War One, France, deserters, boy soldiers, junior fiction (Year 5-8? but shelved in the YA section at library so maybe meant for older but less proficient readers.)


Synopsis
Set in Flanders in 1915, this is the story of young Alfie Barnes. We suspect he is very young right from the opening sentence, when he stands on the fire-step of the trench and “wished he were taller”. He’s been working in Covent Garden markets since he left school at 12, but still looks young for his actual age of 15. When he signs up, claiming to be 19, the sergeant at the recruiting centre grins and says, “I suppose I’ll have to take your word for it.”

In the trenches, his older mates Ernie, Cyril and George look after him. They’ve been in action long enough to learn to keep their heads down, but Alfie is naively excited, hoping to have a go at “the Hun” and yearning for action. When it comes, of course, it’s not what he expects.

There’s not much to tell Ernie, Cyril and George apart, and I wasn’t convinced that a 15-year-old in the army would have spoken up as Alfie did. But there are good, clear descriptions of exactly what life in the trenches was like: how the men boiled their kettles, for example, what they ate and what they wore.

This is not a long story and there are other books that explore these issues more deeply. Perhaps it might serve as a good easy-to-read introduction to the topic. Our local library shelved it in the young adult section, so maybe it is meant for older but less confident readers.  

You can read an extract from Chapter One here.

Author’s website
Tony Bradman writes poetry and fiction for children, including the Dilly the Dinosaur and Swoppers series. He now writes in partnership with his son, Tom Bradman.


Other books you might like:
Other books that I've reviewed about boy soldiers include Valentine Joe by Rebecca Stevens, The last Anzac by Gordon Winch, illustrated by Harriet Bailey, One boy’s war by Lynn Huggins-Cooper, illustrated by Ian Benfold Haywood and My mother's eyes: the story of a boy soldier by Mark Wilson.

Things I didn’t know
Every book, no matter how short, can often tell you something you didn’t know about WW1. I learnt from this one that soldiers didn’t have to salute the officers in the front line (but they did if they were sent with a message to HQ.) And I learnt about applying camouflage before a night raid: how they mixed a black powder (burnt cork) with wet mud from the walls of the dugout and smeared the resulting thick paste over their faces.   


Have you read it?
Have you read this book? Let me know what you think!

Saturday, 14 February 2015

When the guns fall silent by James Riordan

When the guns fall silent by James Riordan (OUP, 2000)

ISBN 978-0-19-273570-6

25 chapters; 157 pages

Subjects: World War One, France, football, Christmas, truce, trenches, deserters, young adult fiction (Year 9-11)


Synopsis
Jack and Harry, friends and keen footballers, go off to fight in WW1. The football game played in the Christmas truce of 1914 (the time “when the guns fall silent”, in the title) only takes up two or three chapters at the end, although there is more about football at the beginning as well. This main narrative is framed by the story of 12-year-old Perry, visiting the WW1 graves in France in 1964 with his grandfather (the older Jack.)

I don’t think I would give this to a child as their first book about WW1. The descriptions of death and battle are very graphic, possibly nightmare-inducing; they include references to firing squads, suicide, mercy killings, rumoured German atrocities and horrible injuries.
    
Parts of the dialogue are written in dialect, which can be hard to read aloud. The depiction of the officers is almost invariably critical. They are all “chinless wonders from Winchester”, apart from one poet-officer who is killed leading his men into battle; the rest of them are chateau generals who enjoy fancy food behind the lines and face no personal danger.

Some of the story is told in letters which would have been unlikely to get past the censors, but no reference is made to the issue of censorship (which is part of the war story, after all).  However I did like the inclusion of the poems, chants and songs at the start of many of the chapters, especially one I didn’t know before called “Achtung! Achtung!” by Mary Hacker.

The book was first published in 2000 but has been recently re-released for the centenary of the beginning of WW1 in 2014.

Reviews: 
The Bookbag calls it “a moving story which fully captures the horrors of war, and doesn't shy away from being fairly graphic in its telling of them.” Their reviewer also notes the puzzle of which age group to recommend it to: "I think thoughtful younger readers will get a huge amount out of it, but I know many parents and guardians will want to be warned of those things. Teens may initially be surprised by its short length, but it packs a lot into its relatively few pages."

Scribbles book review makes the same point (“A hard-hitting, graphic and, at times, upsetting account of soldiers on the front line during the First World War”), and draws an interesting comparison about the difference between graphic violence in fantasy or sci fi and in war books.

And finally, there's one more review here in Thoughts about Books. 

Author’s website
James Riordan died in 2012, aged 75, and you can read an obituary for him in the Guardian.  He certainly led an interesting life, which included joining the Communist Party of Great Britain in 1959 and going to live in Russia for many years; he was a keen footballer and football supporter and became the only foreigner to play in the Soviet football league.  

Jim Riordan was the only westerner to play in the Soviet football league
James Riordan (Photograph: BBC)
About the illustrator
Caroline Tomlinson did the cover and typography and you can read about her method of working here.

Other books you might like:
War game by Michael Foreman tells the story of a football game played between opposing sides during a temporary truce. Look at my blog posting on that book for more details about Christmas and other truces that took place during the First World War. 

Truce : the day the soldiers stopped fighting by Jim Murphy is a non fiction book on the same topic.

Or you can read more about the Christmas truce on the BBC Sport website here.

Valentine Joe by Rebecca Stevens also uses the device of a child visiting the war graves with a grandfather to frame the story.  

Things I didn’t know:
  • That the English national anthem God save the King (back then) was based on a German tune, and the Germans sang a hymn Heil Dir im Siegesktanz to the same tune in the trenches.
  • That the English Government banned all “alien” music, which included Mendelsohn’s Wedding march. (So I suppose you couldn't have it played at your wedding!) 
  • That in England during WW1, German shepherd dogs were renamed Alsatians.
Have you read it?
Have you read this book? Let me know what you think!

Saturday, 22 February 2014

Tank commander by Ronald Welch

Tank commander by Ronald Welch, illustrated by Victor G. Ambrus (OUP, 1972)

14 chapters; 182 pages with occasional pen and ink sketches

Subjects: World War One, France, Ypres, Mons, deserters, tanks, junior fiction (Year 8-10)


Synopsis
At the start of the book, John Carey is a Second Lieutenant with the West Glamorgans, who are comfortably ensconced in the regimental barracks at Tidworth. It is August 1914 and war is imminent. There is one last ceremonial regimental dinner, complete with Georgian silver service, toasts and cigars, before the dress clothes are packed away and everyone sets off for war.

Ronald Welch is very good on battle strategy, he understands how and where battles are fought, and he shows how the First World War marked the end of traditional cavalry regiments. You couldn’t use cavalry in trench warfare, because they simply got mown down. He also explains how and why tanks were first used, what they were good for and what they could and couldn’t do.

However, despite the comments quoted later, this book would be unlikely to be read in the same way today as it was when first published.

For a start, there are NO WOMEN in the whole book. Even the medical staff are men. No - actually - there are two women in London who give John a white feather because he is in mufti, but by then he has already been in the trenches and wounded and decorated and it is the tradition for his Battalion to wear mufti on leave, so you get the impression those women are a bit dim because they don't understand anything.

There is little reflection on the awful toll of war, although it’s hard to know if this book was written in 1972 to reflect attitudes prevalent in WW1, or if those attitudes were still prevalent in 1972. (In the Historical note at the back, the author notes that in 1972, the year it was published, “there were still 78,000 men in Britain drawing disability allowances from wounds received in the 1914-18 War.”) 

For example, the chapter on Desertion, where Private Tyler is courtmartialled and sentenced to death, shows no sensitivity to his plight (at one stage, John and his senior officer are discussing Gilbert and Sullivan operas); the man is simply treated as a despicable coward. “John stepped back, trying to free himself from the grip of those desperate fingers. He stared with revulsion and horror at that moaning, scrabbling figure on the floor at his feet.” (Compare that with Private Peaceful or David Hill's My brother’s war.)

Some of the comments below compare Ronald Welch to Rosemary Sutcliffe, and I did enjoy her books as a child. It will be interesting to see how they fare on re-reading, and if her books are equally weighted in favour of male characters. 

Author’s website
Ronald Welch (1909-1982) was writing well before the days of authors’ websites, and it wasn’t even his real name. He was born Ronald Oliver Fenton, in Wales, to English parents. He was a well-known author of children’s historical fiction, as well as being a history teacher and later headmaster. During World War Two, he fought in the Welch Regiment, and that was what he took his pen name from.

In 1955, he won the Carnegie Medal for the most outstanding children’s book of 1954 with Knight Crusader, which was the first in the Carey Family series. There are 12 books altogether, covering wars from the 12th to the 20th century, although they weren’t written in chronological order. Tank commander is the final title in the series (it has a Family Tree at the beginning), but not the last one to be published.

This website contains an interesting account of what he was like as a headmaster.

Bear Alley is a blog run by a freelance author and editor with a special interest in old British comics, books and magazines. Here he talks about Ronald Welch and his books,and his piece is followed by a string of enthusiastic comments from readers:
  •  I remember reading as many of Ronald Welch’s historical novels as I could manage, when I was a boy growing up in the 1960s.
  •  I devoured all his books as a child, through to my late teens. I read and re-read them all. From these books and those of C.S. Forester I gained a huge interest in History and Military History in particular.
  • Ronald Welch’s and Rosemary Sutcliffe’s historical novels kindled my love of reading and history which has lasted all my life.
  • Why isn’t somebody reprinting him?
  • As a school librarian, I do not think that the calibre of these authors can be matched today, fantasy and chick lit are the popular genres.
With only a few dissenters:
  • I think they’re too unreflective on Empire, Class and War for modern tastes, and not lyrical enough.
And according to a note on the end of this post on the Historical Writers' Association, Slightly Foxed is republishing all 12 of Ronald Welch’s Carey Novels, starting with Knight Crusader, The Galleon and For The King in September 2013, with subsequent titles to follow throughout 2014-2016.

Info about the illustrator
Victor G. Ambrus (1935- ) was born in Budapest and is still alive – with a website! I’m not sure why I was so surprised, except that this book does have such an old-fashioned feel.

Here is an example of his illustrating style (from his website):

The battle of Stamford Bridge

Things I didn’t know:
  • Tanks in WW1:
I didn't know anything about how tanks were developed or when they were first used.

A WW1 tank
Here's another article about them with some more fascinating pictures. 

British "Whippets", 3rd Battalion, Tank Corps, Mar 1918


  • New words in the war:
“Anzac” was of course a new word that emerged in World War One, but Ronald Welch notes others, such as “camouflage”, which comes from the French word camoufler, to disguise, and is recorded as having its first known use in 1917.
I went looking for other examples and found a post on language of the First World War. There was “camouflage” again:
“Many words which emerged at the time have clear associations with the conflict, such as camouflage, blimp, aerobatics, demob and shell shock.”
If you’re interested, you could also follow up the derivation of other war words such as Blighty, cushy or strafe.

  • Officers in the British Army
I knew that officers in the British Army traditionally came from the upper classes. It was a well-recognised career path for a younger son.
However I didn’t realise that this was made inevitable by low rates of pay. According to Ronald Welch, “the pay of a Second Lieutenant was 5/3 per day and his Mess Bill 7/6 without any drinks at all. Not even Senior Officers could live on their pay and a private income was essential. A thousand a year in some regiments, six hundred at least in many more, and not far short of four hundred the absolute minimum. John knew of several officers in the room who were heavily in debt, and to them the coming war, if they survived it, would be an enormous relief.”

  • The Battle of Waterloo:
I didn't know that the Battle of Waterloo, fought in 1814 between the English and the French (think Vanity Fair), took place close by some of the battles fought in World War One. 
John Carey’s first experience of war is at Mons, in Belgium. “For the first time in ninety-nine years the British army was fighting again in western Europe…  It was quite possible, John thought, remembering his Military History, that some of those men falling as British bullets hit them were grandsons of the Prussian soldiers who had made a forced march ninety-nine years ago on another Sunday, not so very far to the north of Mons, so that they could fight with their British allies, already fiercely engaged in battle at a place called Waterloo.”
That means that 2015 is also the bicentenary of that battle - which is a complete diversion, but still interesting. 

Friday, 4 October 2013

Evan’s Gallipoli by Kerry Greenwood

Evan’s Gallipoli : a gripping story of unlikely friendship and an incredible journey behind enemy lines by Kerry Greenwood (Allen & Unwin, 2013)

Written in diary format; most entries are fairly short – not many are more than a page long, and often they are only a short paragraph.

Subjects: World War One, Gallipoli, Turkey, Thrace, Greece, deserters, pacifism, senior fiction (Year 7-10)


Synopsis
The first diary entry is for May 1st 1915. It doesn't mention the landings at Gallipoli, but Evan's father is reading the newspaper when he looks up and says, "I must go to the Dardanelles at once". 

Evan (aged 14) and his father take supplies from their family business (Warrender’s Superfine Spices) and travel by ship with the army medical corps from Australia to Egypt, Lemnos and then to Turkey. His father is a preacher and a pacifist, who believes that God has told him “to take comforts to the soldiers dying on the hot cliffs at Cape Hellas and the beaches of Anzac Cove.”

They arrive in June, and endure the shelling and the noise, the dreadful living conditions and the extremes of weather, just as the soldiers have to. Simpson and his donkey make an appearance, and Evan makes friends with a couple of Aussie blokes called Bluey and Curly. Evan’s father - who is clearly a man of God, but often difficult to live with - then decides to take his message of peace to the Turks as well.

The two of them are captured by the Turks and the German officers, then sent further inland. By this time Evan’s father is sick with fever, possibly malaria, and he gradually loses touch with reality. It is up to Evan to find a way to steer them and their new friend Abdul back through a strange country to the safety they hope to find in Greece.

This is a story that gives a quite different account of the Gallipoli campaign from anything you will have read before. I would have liked a map to explain exactly where Thrace was placed amongst Turkey, Bulgaria and Greece, so here is one from Wikipedia (which Kerry Greenwood refers to as a useful source in her afterword!)


I like the dedication: For all orderlies, friends, nurses, carriers, widows, orphans, minders and peacemakers who ameliorate the cruelty of war.

Reviews:
Here are some reviews written by by teachers.

Questions:
What did you find out about Gallipoli that you didn’t know before?
What did you find out about Turkey, the Turkish people and Turkey during the war that you didn’t know before?
What were some of the surprises in this story? Did you guess any of them?
Why do you think Abdul felt the way he did about the Jews and the gypsies?

Author’s website:
Kerry Greenwood’s website (and Kerry Greenwood herself) might not be quite what you expect.

She is best known for the Phryne Fisher series, whose beautiful, rich and elegant heroine solves crimes and mysteries in 1920s Australia, but she has written some other books for children and young adults.

And I can’t resist quoting these fascinating facts from her website:
"Kerry Greenwood has worked as a folk singer, factory hand, director, producer, translator, costume-maker, cook and is currently a solicitor. When she is not writing, she works as a locum solicitor for the Victorian Legal Aid. She is also the unpaid curator of seven thousand books, three cats (Attila, Belladonna and Ashe) and a computer called Apple (which squeaks). 

She embroiders very well but cannot knit. She has flown planes and leapt out of them (with a parachute) in an attempt to cure her fear of heights (she is now terrified of jumping out of planes but can climb ladders without fear). She can detect second-hand bookshops from blocks away and is often found within them. 

For fun Kerry reads science fiction/fantasy and detective stories. She is not married, has no children and lives with a registered wizard. When she is not doing any of the above she stares blankly out of the window."

There is some more info about her on Allen & Unwin's website.

Other books you might like:
It’s hard to think of any other books to compare this to, as it tells the story from such a different angle. I found a reference to Candles at Dawn by Serpil Ural which also tells the story of Gallipoli from the Turkish perspective, but I haven't come across that book.

Gallipoli: the front line experience by Tolga Ornek, Feza Toker (Currency Press, 2006) is a non-fiction companion title to a Turkish-made documentary, based on diaries, letters and photographs of Australian, New Zealand and Turkish soldiers involved in the Gallipoli campaign.

There is a secret which is only revealed at the very end and I can’t say more fear of spoiling the plot, except to say that it is part of a fine tradition (stretching back to Shakespearian times) of other stories that use a similar technique.


Tuesday, 3 September 2013

Lord of the nutcracker men by Iain Lawrence

Lord of the nutcracker men by Iain Lawrence (Collins, 2002)
Cover sub title: When war’s not a game any more

21 chapters; 269 pages 

Subjects: World War One, France, England, family, deserters, toys, evacuees, letters, Christmas, armistice, truce, Angel of Mons, junior fiction (Year 5-8)


Synopsis:
Johnny’s father is a toymaker, “the finest in London.” He makes “miniature castles and marionettes, trams and trains and carriages”; even a hobby horse for Princess Mary to ride through Buckingham Palace. For Johnny’s 9th birthday, his father gives him an army of nutcracker men, “the most wonderful thing that Dad ever made.” He never made another set like them. “’They’re one of a kind,’ he said. ’Those are very special ones, those.’”

A year later, in 1914, war breaks out. For Johnny, it starts with the local German shopkeepers and workers – butcher, shoemaker, barber, doorman, waiter – being forced to leave the neighbourhood with their families. Men rush to sign up, but Johnny’s father, at 5’7”, is an inch too short (“even though he seemed like a giant to me.”) But very soon the height requirement is lowered to 5’5”, and he sets off for war, telling Johnny that he will be back home in time for Christmas, just ten weeks away. “It seemed forever,” Johnny thinks.

Johnny’s father doesn’t reappear in person for the rest of the book, but he speaks to Johnny through his letters. They start arriving almost at once, the first one sent from the training camp, dated 25 October 1914.

Because of the danger to London, Johnny’s mother sends him to stay with his father’s sister, Aunty Ivy – “Prickly Ivy” – who lives in a small village called Cliffe, on the edge of the Thames marshes. (“Just until Christmas, of course.  Just until the war is over.”) 

Johnny travels there on his own on the train, taking with him his nutcracker men and toy soldiers. At first he hates Aunty Ivy’s house, the school and the other local children, but gradually he settles into the life of the village. He makes friends with Sarah, whose father is a lieutenant in the army, and has extra classes with Mr Tuttle, the school master, who teaches him about Homer and draws parallels between the Homeric wars and the battle raging across the Channel. There is added mystery in the appearance of a sergeant, dressed in tattered clothes, who only ever appears to Johnny and who seems to know his father from when they were boys together.

The letters keep arriving, from both of his parents. Johnny’s mother goes to work at the arsenal in Woolwich, stuffing artillery shells. His father whittles soldiers from wood and sends them with his letters, so that soon Johnny builds up his own wooden army of German nutcracker men, French Pierres and British Tommies, even an aeroplane and an ambulance. 



The last letter in the book, dated 26 December 1914, describes the Christmas truce between the German and British soldiers all along the front lines. (I did find it unlikely that one of their old neighbours would have end up in the opposing trench, but the description of the truce overall is very moving.) 

There are so many remarkable things about this book (which is another one I’d never read before starting this blog.) Firstly, the precise and melodic use of language, especially in descriptions of the weather and the things that Johnny notices around the village. When the church bells ring to celebrate a victory, they “went on and on, their sounds flowing on top of each other, cascading down like musical rivers.”  When Johnny looks up to the sky, “the clouds were grey blotches tumbling past to the east, as scattered as cows in a field.” At night he can hear the French guns, “faint but furious, a steady drumming of low-pitched pops and puffs.” And on a frosty winter’s morning, “everything sparkled and glittered, and the air was as crisply cool as peppermints.”

Secondly, the completely child-centred and non-condescending view of “play” in the battles that Johnny (and sometimes Sarah) play with his toy soldiers, and the way in which the perspective changes, as they become engrossed, so they are outside and inside the game at the same time. 

Thirdly, the relationships between Johnny and his parents, and between Johnny, Aunty Ivy and Mr Tuttle. One reviewer felt that some of the letters written by Johnny's father were too graphic for what a man would send to his ten-year-old son. But many of them are deep expressions of love, like this one: “Just a very quick note to let you know that I’m thinking about you always.  If anything should happen to me, and for some reason I don’t get to see you for a long, long time, then I want you to remember that I think the whole world of you, son.”

Reviews:
There is a review here on the QBD bookshop site. 

Here's another review on the quaintly named blog: wear the old coat (and buy the new book)
I like this blogger (Jo's) comments about the book:
This was one of those rare, wonderful books that you read without knowing anything about.
The idea of the book fascinated me: a toy maker is drafted to the trenches and sends carved soldiers that he sees to his ten year old son, Johnny, back in England. As Johnny collects the toy soldiers and creates an army to fight back the strong nutcracker soldiers that his dad made him before he went, he notices that the battles he makes up in the mud under the beech tree are becoming more like the ones that his dad writes about.
Doesn’t that sound like a brilliant and unique way of telling a story about a boy whose dad is fighting in WW1?
Yes.
And it really was.

I loved how Mr Lawrence introduced an extremely subtle yet intriguing element of magic within this story. As he states in his author’s note at the end: “There was something about the Great War that inspired the belief in the supernatural”. Whether this was the sightings of apparitions of English archers protecting the soldiers from the Germans on the same ground as they did against the French centuries earlier, ghostly soldiers or the famous case of the Angel of Mons. I thought the mystery behind what was really happening with those wooden soldiers and their influence was in equal measures unnerving and poignant.

Author’s website:
You can read about Iain Lawrence, his life and the other books he has written here and here. 

Born in northern Canada to British emigrant parents, he left school early to work in a logging camp, and later became a journalist without ever losing the desire to write. His early work was rejected but then he found his niche in children’s and YA fiction.
In the Author’s note, he tells how his mother’s three uncles went off to the First World War and were all taken prisoner. His grandfather lied about his age to sign up at 17, was hit by shrapnel and lost an arm later in the war. 

Other books you might like:
Archie’s war: my scrapbook of the First World War 1914-1918 by Marcia Williams also tells the story of a ten-year-old London boy. Like Johnny, Archie gets evacuated to the country, but his book – told in scrapbook form – covers the whole war, whereas Johnny’s runs mostly from August 1914 (the outbreak of war) to December 1914 (the first Christmas.)

War game by Michael Foreman describes a game of football played during the famous Christmas truce between the German and Allied soldiers.  

Things I didn’t know:
  • I had never heard of Cliffe, but it is a real village in Kent with its own Facebook page.
  • I didn’t know that mail from the front was delivered so quickly. It took only two or three days for a letter to travel in either direction.  “The battle field, for many British soldiers, was so close to home that it was heartbreaking.”
  • I didn’t know about Regent’s Park. “Labourers arrived with lorries full of pipe and wire, and they laid a line of lampposts through the middle of the park… the soldiers said the lamps were going to fool the Kaiser when he sent his zeppelins over London. ‘From up there it will look like the busiest street in the city,’ they said. ‘The zepps will aim for that, and all they’ll hit is grass.’
  • I didn’t know about the dangers to women working in the Woolwich Arsenal
Woolwich lies east of Greenwich, and at the start of World War One, thousands of workers were employed at the Royal Arsenal, most of them men. However, men were needed on the front line, and it became one of the few places where it was acceptable for women to carry out war work. Conditions were poor and could be dangerous. The women who filled and handled explosives were known as “canaries” because it turned their hair and skin bright yellow. This was called “yellow jaundice” and many women died from it, from 1916 on.
You can read more about it here and here. 

Making the Modern World
Packing cartridge cases at the Royal Arsenal, Woolwich.© Imperial War Museum Q27880

  • I had heard about the Angel of Mons, but didn’t know the details. 
 


I've ended up writing a lot about this book, but it was different from any other children's war book I've read before, and I really enjoyed reading it.  

Friday, 7 June 2013

The silver donkey by Sonya Hartnett

The silver donkey by Sonya Hartnett (Viking, 2004)

ISBN 0 670 04240 4

18 chapters; 192 pages with about 10 full page black and white illustrations

Subjects: World War One, France, deserters, animals, fable, junior fiction (Year 5-8)


This story is set in northern France, near the coast, sometime during the battles fought along the Western Front during World War One. 

Two sisters, Coco and Marcelle, find a soldier hiding in the woods, desperate to get back to his sick brother in England. The trauma of war has left him temporarily blind. Together with their older brother Pascal and a friend, Fabrice, the girls concoct a plan to help him. The two of them are delightful, especially Coco who is entranced by the soldier’s tiny silver donkey (there is a lovely passage where she imagines riding away on it.) Pascal, on the other hand, would prefer to hear gruesome first-hand accounts of the war, “a tale about machine-guns and bayonets.”

Interspersed with the main narrative are four stand-alone stories, told by the soldier, three of them with a donkey theme: Mary and Joseph travelling to Bethlehem, a legend about why storm clouds are grey and the tale of the “donkey man” at Gallipoli (although again the place is not mentioned.)  

The story is beautifully told in almost poetic language. One plot detail that bothered me was that the soldier would still be treated as a deserter when he reached England, so he was not really escaping to safety.  But this is partly because details are often left vague, and the story has an almost dreamlike quality of “fable”. The book is asking questions about the nature of bravery and courage and the sort of qualities that really matter, like the donkey’s qualities of loyalty, humility, gentleness, trustworthiness and steadfastness.

The silver donkey was made into a musical by the Australian team of Dean Bryant and Matthew Frank, and the production toured Australia and  the USA in 2006. You can see a clip from it here on Youtube. 

Reviews: 

Charm under fire: Sonya Hartnett's The Silver Donkey shows that life in wartime offers surprising opportunities. Another review is here: The silver donkey by Sonya Hartnett. 


You can also find teacher's notes for the book here. 


Questions:
  • What do you think is the answer to Fabrice’s question (in the chapter called Heroes): “Do you really have a brother… Or is he a ghost made of wishes and fear, someone you invented to disguise your shame in fleeing a war which other men… have stayed behind to fight?"
  • Do you think the Lieutenant did the right thing when he lay beside the dying Ernie Whittaker? What else could he have done? How do you think he felt afterwards?
  • What does the silver donkey represent?
  • Why don’t we ever learn the Lieutenant’s real name?
  • Who is a “hero” in this book? What is heroism?

Author’s website:
Sonya Hartnett is an Australian writer. 


Her other war-related children’s books include Children of the King (2012),  a time-overlap adventure about three children sent to the countryside to escape the war in London, and The midnight zoo (2010) (“Under cover of darkness, two brothers cross a war-ravaged countryside carrying a secret bundle. One night they stumble across a deserted town reduced to smouldering ruins. But at the end of a blackened street they find a small green miracle: a zoo filled with animals in need of hope.”)

Other books you might like:
Private Peaceful by Michael Morpurgo also deals with the topic of army deserters and how they were treated.

New Zealand connections:
Desertion was treated as a crime by the army and could be punished by  court-martial and execution.  On pg 47 of Anzac Day: the New Zealand story is a section called “Pardoned at last”. This tells the story of the men who were court-martialled for mutiny or desertion, often because they were suffering from undiagnosed shell shock. Many of these men had fought bravely in other parts of the war but had just reached the limit of what they could endure. Their deaths were seen as terribly shameful for their families and often they were not talked about for years.

In England, there is a memorial  to some of these young men from Britain and the Commonwealth at the National Memorial Arboretum in Staffordshire.

File:Shot at Dawn memorial.JPG
Called the Shot At Dawn Memorial, it contains a statue of a young man ­blindfolded and strapped to a post, surrounded by 306 other posts, each with the name, age and ­regiment of a man who was executed.

In 2000, the Pardon for Soldiers of the Great War Act was passed to pardon the five NZ soldiers who were subsequently shot. You can read more about the Act here and here. The medals and certificate of pardon for one of the soldiers, Victor Spencer, were later gifted to the Bluff Maritime Museum. 

Of the five soldiers listed, two were born in Australia and their story is told further here:
ANZAC tragedies revealed after 80 years: the stories of Private John Sweeney and Frank Needs / John King , both Australians who signed up in NZ, and served bravely in Gallipoli but were charged with desertion in France and shot. (It’s interesting to note that Australian never allowed its own soldiers to be shot, perhaps because the AIF was made up of volunteers  - conscription was voted against twice by the Australian public during World War One - and the public outcry would have been huge. But these two men had signed up for the NZ army.)