Lone Pine by Susie Brown and Margaret Warner

Lone Pine by Susie Brown and Margaret Warner; illustrated by Sebastian Ciaffaglione (Little Hare, 2012)

CBCA Notable Book 2012

32 pages with full page colour illustrations

Subjects: World War One, Gallipoli, Australia, Lone Pine, trees, brothers, picturebooks (Year 2-6)

Synopsis:

The story starts in December 2008 with the image of a lone pine tree being lashed by a storm in the grounds of the Australian War Memorial. The rest of the book tells how and why it got there.

The battle of Lone Pine took place in August 1915. For the Australians at Gallipoli, it was as crucial and defining an event as the battle of Chunuk Bair for the New Zealanders. Pine trees grew on the Turkish hillsides, but many were cut down to provide cover for the Turkish trenches, leaving only one standing on the particular hill where this battle took place.

The battle is lightly touched on, but afterwards a soldier wanders the empty battle field searching for his brother. He slips a pine cone into his pocket because its scent reminds him of home. Later he posts it to his mother, who keeps it in a drawer. Three of her sons have gone off to war and only two will return. She plants the seeds and raises three saplings (only two of which survive.) In January 1930, one sapling is planted in a park in Inverell, the town where her sons grew up. In October 1934, the second sapling is planted in the grounds of the Australian War Memorial in Canberra. This is the tree that we see at the beginning, still standing tall and strong. 

Lone Pine tree at the Australian War Memorial, December 2010.
PAIU2010/119.07

Colours and light make up a big part of this story, from the steely blue and stormy grey of the sky in the opening scene, through the dusty yellow of the battlefield and the Australian outback, the green colours of planting and regrowth and the sunset shades at the end. The book shows the impact of war on those who were left behind to wait and often to grieve, and the importance of remembering. 

Two pages of notes at the back cover the battle of Lone Pine, and the Canberra and the Inverell pine trees, and give brief biographical details about the mother and three sons of the Smith family, on whom the story is based. 

Reviews:

You can read reviews of the book on the Aussie Reviews site and on My little bookcase. 

Teachers notes are also available here. 

Questions and Activities:

How do the colours on each page make you feel? Why do you think the artist chose those colours?

Draw a time line that includes each date given in this book (remember the notes at the back.)

Author’s websites:

Susie Brown is a teacher librarian who has written for the educational market. Margaret Warner is also a teacher; the two of them taught together for a number of years and developed the story together.

About the illustrator:

Sebastian Ciaffaglione is a freelance artist based in Melbourne. He has illustrated Carol Wilkinson’s Dragon Keeper series. His blog shows some of the spreads for the book:

New Zealand connections:

On pg 39 of Anzac Day: the New Zealand story is a section called “Lone Pine”. This describes other Anzac pines planted in various places around New Zealand, for example, in Taradale, Wanganui, Stratford and Featherston.

Most of these are derived from pine trees that grew on other parts of the Gallipoli peninsula. Some botanists have worked out that there is only one pine tree in New Zealand that can be linked back to the original Lone Pine, and that tree is on the Paeroa golf course.  

Links:

An article titled “Lone Pine: seeds grown into a living memorial” points out that at least one other digger brought home a pine cone from Lone Pine. Sergeant Keith McDowell carried a cone in his rucksack for the rest of the war and gave it to an aunt when he returned home. She planted some of the seeds and several grew and were planted in Melbourne and elsewhere.

You can read more about “The battle of Lone Pine” here. 

Lone Pine cemetery, Gallipoli. 

Light Horse Boy by Dianne Wolfer

Light Horse Boy by Dianne Wolfer, illustrated by Brian Simmonds (Fremantle Press, 2013)

120 pages with charcoal sketches and facsimile letters

Subjects: World War One, Australia, Palestine, Egypt, horses, animals, junior fiction (Year 6-10)

Synopsis:

Jim is a young Australian boy, not yet 18, who works as a farrier (someone who trims and shoes horses’ hooves.) His best mate Charlie reckons that when the army recruiting officers see how well they can ride, they won’t ask for a birth certificate, and so it turns out. Jim and Charlie sail with the fleet from Albany in 1914, and wave goodbye to the lighthouse keeper’s daughter, Fay, who features in Lighthouse girl. 

The story is told in a mixture of narrative, illustrations, photographs, and Jim’s letters and postcards back to his younger sister Alice, who is working as a governess. On the way over, Jim is chosen to work as a farrier on the flagship Orvieto. That means he has to leave his mates and his own horse, Breaker, but on the Orvieto, he looks after Major General Bridge’s horse Sandy, and gets to know the Major himself.  He meets up with Charlie again in Egypt, where they camp in the desert, walk alongside the River Nile, visit the pyramids, race camels and leave their kangaroo mascot Rufus at the Cairo Zoo. They are sent to Gallipoli (without their horses) where they see the first of their good mates die in the landings on April 25^th 1915. Later Charlie dies in the battle of Lone Pine.

Back in Egypt, Jim takes part in the battles of the Desert Campaign. After being wounded in an explosion, he ends up on a hospital ship on his way to England, and is transferred to a hospital for the blind. Eventually, on his way back to Australia, he finds a surprise below decks that helps him start the process of inward healing. There are a couple more surprises in the final pages.

The book is full of good Aussie slang (Charlie says they will make ”crackerjack soldiers”, and Jim says it’s “bonza” being back with  his mates) and the story of the Light Horse soldiers is a fascinating one, that is less familiar than the stories of Gallipoli and the Western Front. Children who like horses will find it especially interesting as there are lots of descriptions of how the horses are cared for.

Reviews:
There are reviews of this book on the Aussie Reviews site and on Buzz Words books. (This latter reviewer points out that the black charcoal sketches suit the story because they capture "the seriousness and sadness of war".)

This interview and review describes some of the research behind the writing of the book. 

Questions:

At the end of the war, “many soldiers chose to shoot their beloved Walers [horses] rather than leave them behind to an unknown fate.” Why did they do that? What would have happened to the horses otherwise?

Author’s website:

Dianne Wolfer sounds like such a nice person!

Her website includes teaching notes about the book.

There is a bio of her on the Fremantle Press site.

The illustrator is Brian Simmonds and you can read about his work here. 

Other books you might like:

Light Horse Boy is a companion novel to Dianne Wolfer’s earlier book, Lighthouse girl, which is based on the true story of Fay Howe. Fay lived on the Breaksea Island lighthouse, near Albany where the troopships departed from. She was proficient at semaphore and used to take down messages for the troops and send them to their families, as their last farewell before they left Australia.

Evan’s Gallipoli tells a very different story, but one that overlaps in time and sometimes in location.

New Zealand connections:

The New Zealand Mounted Rifles fought with the Australian Light Horse in the deserts of the Middle East during World War One. You can read about the different units here.

The New Zealand Mounted Rifles Brigade left New Zealand with the Main Body of the NZEF in October 1914. The mounted riflemen fought in Gallipoli, Egypt and Palestine. They sometimes fought from horseback, and sometimes (as when they went to Gallipoli) they left their horses behind. But usually they would ride to the scene of action and then dismount before going into battle. One man in each group of four would then look after those four horses, as happens in Light Horse Boy.

They were fine horses, and not many of them ever came back to Australia or New Zealand. Dianne Wolfer says in her introduction that of the 136,000 horses that left Australia, only one returned. That was Sandy, the horse belonging to Major General Sir William Bridges. The Major General was killed at Gallipoli and was the only Australian to be returned to his homeland for burial. 

Four of the 10,000 New Zealand horses returned home, and the most famous of them is Bess. You can read about her on pg 32 of Anzac Day:the New Zealand story. There is a memorial to her near Bulls. Bess was also the model for the horse on top of the Cenotaph in Wellington.

 'Memorial to Bess the horse', URL: http://www.nzhistory.net.nz/media/photo/memorial-bess-horse, (Ministry for Culture and Heritage), updated 19-Sep-2013

Other links:

A mounted rifleman in uniform sits among a group of farriers, photographed by Laurie Mackie in the World War I military camp at Zeitoun in Egypt, 1914. The farriers are holding equipment for horse shoeing, including hammers and bars.

The farriers, Zeitoun camp, Egypt. Ref: PA1-o-308-10-3. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/22534019

Members of the Mounted Rifles Regiment in Nelson during World War One. Ref: 1/2-026531-G. Alexander Turnbull Library, Wellington, New Zealand.http://natlib.govt.nz/records/23081874