Showing posts with label birds. Show all posts
Showing posts with label birds. Show all posts

Thursday, 3 July 2014

The snow goose by Paul Gallico, illustrated by Peter Scott

The snow goose by Paul Gallico, illustrated by Peter Scott (Michael Joseph, 1946)

10 chapters; 55 pages with colour and black and white illustrations

Subjects: World War Two, France, Dunkirk, birds, fable, boats, young adult fiction (Year 9-13)


Synopsis
I’m not sure if this counts as a children’s book, but it doesn’t really fall into any other category that I can think of, and some older children would definitely enjoy it. Apparently (according to Wikipedia), it was “first published in 1940 as a short story in The Saturday Evening Post, then … expanded … to create a short novella which was first published on April 7, 1941.”

The book covers the decade from 1930 to 1940. It is set on an abandoned lighthouse on the remote Essex marches and tells the story of Philip Rhayader, a hunchbacked reclusive painter and Fritha, a young girl from the nearby fishing village. The two of them are linked in friendship and, later, unspoken love by the snow goose of the title, until Philip sails away to help in the evacuation of British troops from the beaches of Dunkirk in late May 1940. What happens to him can only be guessed by Fritha, but is told in snatches of overheard dialogue by by soldiers and naval officers.

When I went to borrow a copy from the library, I had to ask a librarian to retrieve it from the YA Fiction Nostalgia section out the back. (I didn’t even know there was such a section.) And the loveliest thing happened, which was when I gave her the title, she said. “I’m named after that book.” Her name was Fritha.

Fritha (in the library) told me about a 1970s BBC film of The snow goose, starring Richard Harris (aka Dumbledore in Harry Potter) and Jenny Agutter (from The railway children.) She said it’s hard to track down, but can be viewed on Youtube, and here it is (I'm going to watch it, and it looks wonderful.) 

The original 1940 copy of The Snow Goose, as it appeared in The Saturday Evening Post is now available online.


Reviews:
If you’ve read this book, you will know it is a sad, melancholic, haunting tale. Some contemporary reviewers called the book sentimental, but it achieved near classic status almost at once and Michael Morpurgo cites it as an influence on his book War Horse.

Winter reads in The Guardian calls it a wartime classic, “a novella no thicker than a love letter, in which every sentence seems to shiver with the salt-laden chill of the desolate landscape in which it is set.” The reviewer made me think of my Fritha-in-the-library. She says, “My mother loved the story so much she wanted to call me Fritha, after the untamed Anglo-Saxon heroine. And growing up I would think of that other girl I might have been if only my resolutely unsentimental father had not intervened.”

The Guardian also put it on its list of 1000 Novels You Must Read. 




(1000 novels is a lot of reading! If you are feeling brave, here is a link to the compete list.)

Another review says it is "a moving story about love and courage, with an ending that is unforgettable."

About the author
Paul Gallico (1897 – 1976) was an American writer whose name is not often heard these days, but he used to be popular. His other well-known stories include The small miracle, about a little boy and his beloved donkey,  Thomasina (filmed by Walt Disney) and The Poseidon adventure, about a cruise ship sinking, which was also made into a movie.

About the illustrator
The Nostalgic library copy was the 1946 edition with illustrations by Peter Scott, which we had at home when I was growing up. Peter Scott (1909-1989) was the son of Antarctic explorer Sir Robert Falcon Scott, who died when he was only two years old. Famously, Scott left instructions for his wife that she should "Make the boy interested in natural history; it is better than games. Make him a strenuous man". 

Peter Scott became a naval officer in WW2, and was also a famous painter, ornithologist and conservationist, who founded the Wildlife and Wetlands Trust at Slimbridge on the Severn River estuary in Gloucester. 

According to Wikipedia (again) he used his first wife Elizabeth Jane Howard as the model for Fritha – another fascinating sidebar, as I’m currently reading her wartime chronicles of the Cazalet family.  EJH was about 15 years younger than him, and had striking good looks; their marriage ended in divorce, and she later married Kingsley Amis; she died in January 2014, aged 90.

You can read more about Peter Scott's life here and here.  

I never knew this and it's fascinating:
According to a story in the Telegraph in 2010, a disused lighthouse at Sutton Bridge on the Norfolk Wash provided the inspiration for the setting of this book. Peter Scott rented it for £5 a year in the 1930s, and was visited every year by a pink-footed goose that he called Annabel. Gallico, who was a friend of his, transformed the timing (to wartime), the setting (to Essex) and the bird (to a snow goose.) The story is told in more detail on the website of Sutton Bridge village.   

Peter Scott in front of the East Lighthouse
Peter Scott in front of the East Bank Lighthouse 
If you visit the area, you can go on the Peter Scott walk, which follows the old sea bank along the Wash from King's Lynn, to the Peter Scott lighthouse at Sutton Bridge. 

Other books you might like
The dolphin crossing by Jill Paton Walsh tells the story of two school boys who take a small boat across the Channel to help in the evacuation of Dunkirk. 

The story of Dunkirk
The evacuation from Dunkirk took place over ten days from late May to early June 1940, and ten days later, German troops entered Paris. It's true that hundreds of small boats sailed across the Channel to help take men off the beaches. You can read more about Dunkirk here and listen to Voices from Dunkirk in the words of eight survivors here. 

You can also see some images of the evacuation on the Imperial War Museum site. 






Wednesday, 12 February 2014

In Flanders fields by Norman Jorgensen, illustrated by Brian Harrison-Lever

In Flanders fields by Norman Jorgensen, illustrated by Brian Harrison-Lever (Sandcastle Books, 2002)

32 pages with mostly black and sepia pen and wash drawings (the red of the robin’s breast is one of the few patches of colour)

Subjects: World War One, France, Christmas, armistice, truce, birds, picture book (Year 5-8)



Synopsis:
The summary in the teaching notes is clear and succinct:

“In Flanders’ Fields, set in the trenches of World War I, tells the story of a young, homesick Anzac soldier who, on Christmas morning, faces almost certain death in a seemingly hopeless attempt to rescue a robin caught in the wire of no man’s land. Although the story takes place in the midst of a long and brutal war, the fighting has paused and no violence is seen. The focus of the book is on the similarity of the soldiers on both sides of the fence and the absolute futility of war.”

As the summary says, the book is unusual in focusing on soldiers on both sides of the trenches. The German soldiers begin to sing a carol – “Stille nacht” - and the Allied soldiers continue it in English – “all is calm, all is bright.”

As with all good picture books, the text (sparse, simple) and pictures (in their muted tones) complement each other beautifully. I was struck by the image of the barbed wire which occurs on many pages and suggests the barbarity of war, as well as the way these young men were trapped in it with no way out. 

The final page shows a scene of a graveyard crowded with crosses and poppies, and features a verse from John McCrae’s famous poem In Flanders Fields.

Dedication:
Both author and illustrator have dedicated the book to soldiers, presumably relatives, who served in the First World War. Some survived, some were wounded and some died. 

Reviews:
There is a short review on the Fremantle Press site. 

A review in The Age (“Oh what a lovely war”) includes an interview with both author and illustrator ("A book for children about World War I has won the best picture- book award.")

The Children's Book Council of Australia lists it under Picture book of the year:
"The story is told with slow solemnity and sensitivity that is never allowed to sink into sentimentality. In World War I on Christmas Eve, a young Australian soldier walks out into no-man’s-land to free a small robin caught in the barbed wire. The robin symbolises the survival of compassion and hope. The text is sparse and compelling, using the present tense. Subtle use of black and sepia pen and wash capture the bleakness of battlefield, sandbags and barbed wire, contrasting starkly with the sacrificial red of the robin’s breast and the Flanders poppies. The endpapers, tableaux of soldiers in opposing trenches, have a pathos which encapsulates the wasted humanity of war."

Questions:
The teaching notes pose some interesting questions:

A white silk scarf was sent to the soldier. What does that tell you about the ideas that people at home held of the conditions in the trenches? What Christmas gift would you send a soldier?

The main character in the story remains anonymous. Why do you think the author didn't give him a name?

Author’s website
Norman Jorgensen is an Australian writer, born in Broome. He says the book was partly inspired by “a single scene in an old black and white silent film…the first version of Erich Remarque’s All Quiet on the Western Front made by Lewis Milestone in 1929” - the image "where the German hero reaches for a butterfly and is shot by a sniper."

About the illustrator
Brian Harrison-Lever used his 19-year-old son as the model for the soldier, who looks very young and fresh-faced in his illustrations. The teaching notes include some lovely details about the process of illustration, something you don’t often read about:
“I initially decided to limit my palette to Sepia, Pane’s Grey, and diluted black ink, with the robin’s red chest feathers being the only bright colour through the book. As the work progressed a touch of watery Vermilion and Cadmium Yellow was included in the fire tins as a concession to Christmas for the poor homesick youngsters. As morning breaks and the daylight strengthens I added a little Cerulean Blue to the sky and the morning light.”

Other books you might like:
War game by Michael Foreman tells the story of a football game played between opposing sides during a temporary truce. Look at my blog posting on that book for more details about Christmas and other truces that took place during the First World War. 

Links
I'd never heard of the In Flanders Field Museum in Belgium before, but the website looks really interesting and it includes the full text of the poem.


The In Flanders Fields poem

“The In Flanders Fields Museum presents the story of the First World War in the West Flanders front region. It is located in the renovated Cloth Halls of Ypres, an important symbol of wartime hardship and later recovery.”


New Zealand soldiers passing the ruins of the Cloth Hall in Ypres, Belgium
New Zealand soldiers passing the ruins of the Cloth Hall in Ypres, Belgium. Ref: 1/2-013129-G. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/23071426